After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll
“悲剧灵魂的孪生姊妹”是印度影圈对女演员米娜库玛莉(Meena Kumari, 1932-1972)的追觞诔辞。
After her widower dad, Kedarnath, passes away, Shobha goes to live with his friend, Charandas, and his wife, Shanta, who had their son go missing as a child. Years later Shobha is now matured and Charandas scouts for a suitable groom. A wealthy man, Sunder, would like to marry Shobha, but the family detests him.
A young singer, in the time of Emperor Akbar the Great, sets out to avenge his father, killed in a disturbance near the house of a member of the Court.
A struggling artist accidentally kills a man on a "wet night." Unbeknownst to him, a wealthy witness falls for his sister. Their love blossoms, but the hidden truth of the murder threatens to unravel everything, forcing them to confront a dark past that could shatter their future.
In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.
A debauchee Zamindar greatly neglects his wife. The decadence of the Bengali Zamindar milieu in the late 19th century, seen through the eyes of a young upward mobile rustic seeking fortune in Calcutta, fascinated by the lonely lady of the house.
Surjit Singh is forced to take care of Ram Din's family after he accidentally kills him while driving under the influence of alcohol. However, he is treated with hostility by Ram Din's family members.
A pregnant Ratna loses her husband, eventually gives birth to a son, Raju, in a hospital where she is treated by renowned Dr. Anand.
A Zamindar neglects his wife and prefers the company of alcohol and dancing girls. The decadence of the Bangali Zamindar milieu and the raising bourgeoisie in the late 19th century, seen through the eyes of a young upward mobile rustic seeking fortune in Calcutta, and fascinated by the lady of the house...